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wigs At the same press party Wigs for Kids, in an interview with Melody Maker Cosplay Wigs, McCartney said that the group “should be soon”, in regards to performing live. John Mendelsohn wrote in Rolling Stone that he wondered whether the album may have been “deliberately second rate.” In The Beatles: An Illustrated Record, Roy Carr and Tony Tyler called the album “rushed, defensive, badly timed, and over publicized” and wrote that it showed McCartney’s songwriting “at an absolute nadir just when he needed a little respect”. The liner notes for Wild Life (and on the Thrillington album) were credited to Clint Harrigan, but in 1990 McCartney admitted to journalist Peter Palmiere that he was Harrigan. Lennon claimed to know the identity of Harrigan during their Melody Maker feud in 1972.In December 1971, a Ram outtake “Breakfast Blues” was mixed by Paul and Linda at A Studios. “Breakfast Blues” was played on WCBS FM, where McCartney promoted Wings and Wild Life, on 15 December. The track was later released as “Great Cock and Seagull Race” on the 2012 special edition of Ram.The album was first released on CD by EMI’s Fame label, on 5 October 1987.[nb 1] In addition to naming the previously hidden tracks, this edition added “Oh Woman, Oh Why” (the B side of “Another Day”) curly hair extensions, “Mary Had a Little Lamb”, and “Little Woman Love” as bonus tracks. In 1993, Wild Life was remastered and reissued on CD as part of ‘The Paul McCartney Collection’ series with singles “Give Ireland Back to the Irish” and “Mary Had a Little Lamb” as well as B sides “Little Woman Love” and “Mama’s Little Girl” all recorded in 1972 except for “Little Woman Love”, which was a Ram outtake as bonus tracks, and also two hidden tracks: “Bip Bop Link” (an acoustic guitar piece) between “I Am Your Singer” and “Tomorrow”; and “Mumbo Link” (an instrumental jam) after “Dear Friend”. (“Oh Woman, Oh Why” appeared separately as a bonus track on the 1993 reissue of Ram.) A version recorded in the garden of Paul’s Scotland home circa June 1971 of the bluegrass styled “Bip Bop” featured Paul and Linda’s daughter Mary giggling in the background, and segued into a riff called “Hey Diddle”. wigs
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